The Duke is not quite the quirky British comedy its trailer suggests.
What makes a good boss? Early in El Buen Patrón, as it is in the original Spanish, we see Julio Blanco (Javier Bardem) holding court in the factory he owns.
There’s a certain mid-tier of made-for-streaming drama that’s best described as “sub-premium”. Think shows like Dr Death, Unorthodox and even the very good Maid.
Watching The Responder is an immediately gripping but totally draining experience. Martin Freeman is superb as Chris Carson, a policeman who tells his therapist he’s about to crack, and then heads out on night shifts pitted with crises that shake his fracture lines.
CODA begins with Ruby (Emilia Jones) singing aloud aboard a fishing vessel. CODA begins with Ruby (Emilia Jones) singing aloud aboard a fishing vessel. Waves slap against the boat which creaks and clanks as gulls scream overhead.
This is a difficult film to categorise. Structurally, its core is a famous 2004 concert, where Archie Roach and Ruby Hunter – husband and wife, and both legends of the Australian music scene – joined the Australian Art Orchestra on stage for a musical odyssey through their back catalogue.
I used to live in one of the world’s most liveable cities. Now, it’s known more for being one of the world’s most locked down cities.
There is a long history in Australian cinema of depicting natural environments as a source of psychological and physical horror.
ast month Australians were all treated to the unedifying spectacle of our federal parliament debating the rights – or wrongs – of religious institutions to exclude children who are considered in some way different from “normal”, whatever that might mean.
Belfast opens with a scene of nostalgic sweetness. It’s 1969 and Buddy (Jude Hill) fights dragons in his local laneways, as mothers call children in for tea.